Showing posts with label Edinburgh Fringe Festival 2014. Show all posts
Showing posts with label Edinburgh Fringe Festival 2014. Show all posts

Monday, 11 August 2014

Live Performance Review: Francesca Martinez: What The Fuck Is Normal?  (Edinburgh Festival Fringe 2014) Monday 11.08.2014 17:30 Lomond Theatre, Edinburgh International Conference Centre (Unreserved Seating), Edinburgh

Earlier in the year, when the Fringe programme came out, I became aware of Francesca's show and book at the same time. The book has the same title as the show, and both have the offending word in the usual '****' form. I purchased the book in Waterstones, where the person serving felt it necessary to inform me that they have the title as 'What The Hell Is Normal?'. 

The book is a very good and fairly easy read, and accounts Francesca's life including very frank and insightful depictions of prejudice she has faced. For those unaware as to who Francesca is, she is a comedian who lives with society's issues as to her physicality. She terms herself as wobbly, as this is how she has always seen herself; she has cerebral palsy. For those who like the work of Ricky Gervais, Francesca appears in the episode of 'Extras' which Kate Winslet is in.   

Francesca is someone I was curious about seeing for some years. The performance was very engaging, funny, with plenty to think upon. I did initially feel as though Francesca appeared a bit nervous, though then she appeared to relax and the show quickly settled into being highly enjoyable. 

Those who know me know I always try to go front and centre at performances. This is such a reliable fact that I have previously had my uncle ask me if I already had a ticket for a particular show as he went to book and saw one seat taken in the middle of the front row and thought that must be...sure enough it was. I, unlike many, don't have apprehensions about comedians engaging with me, though today was a bit different. 

It got to a bit in the show where Francesca is detailing an uncomfortable moment she had with someone in her car - yes she can drive. The person she was with, she was very fond of due to inspiring words that person had expressed to her. Francesca, nineteen at the time, had written him a poem and gave it to him to read which he did in the car. The poem which I had already read in the book is not untypical of an inexperienced young person. Francesca asked if I would mind coming up onto stage, there was a chair behind her's, which she asked for me to pull round and sit next to her. When sat next to her, she asked if I could read out the poem, as that man had done when sat next to her in the car. 

There was a book signing afterwards, I was first in line. She thanked me for taking part, commented that I appeared very nervous and asked why. I know it was not because of who she is, as Francesca appears to be a lovely person. I could remember a sense of the poem before going on stage, and when previous reading it of having a sense of embarrassment which comes when someone lays themselves bare as she had done and you know it is not going to turn out well. The intrepidation was due to not being able to remember exactly what happened after the man had read the poem and therefore where my being on stage may lead. I told her it was just because I was not sure where it would lead. (I got my book signed just next to where that poem is, rather than at the front. When I asked if she could sign there, she said 'well it is your poem now' or words to that effect).

After the show there was a Q&A hosted by Marcus Bridgestock, which enabled more eloquent off-the-cuff riffing on politics of disability and other matters. There was also discussion about the horrible idea of being an inspiration, which Francesca is very uncomfortable with, as in her eyes she is quite lazy and just living day-to-day trying to ignore her condition as much as possible - this is quite a common response to living with a condition, there are many days where I don't for a moment consider my dyslexia. 

The fact is though, by her giving voice to her reasoned views and justified strong responses to experiencing prejudice, she is a form of inspiration. Don't worry though, I don't mean a nausea inducing inspiration, this is not the U.S.of A.. There is nothing twee or sugar coated about Francesca, just a real funny person with a weakness for bare-foot Irish poets (see the show to understand). 

Rating: 08/10.       

Friday, 8 August 2014

Live Performance Review: Josie Long: Cara Josephine (Edinburgh Festival Fringe 2014) Friday 08.08.2014 20:40 The Stand Comedy Club, Main Space (Unreserved Seating), Edinburgh

THIS IS NOT REVIEW. 
The Following statement should make clear why I don't feel I can review this show.

Josie; Sweet, intelligent, vibrant, optimistic with an abundance of vitality, and above all a definite geek by the sheer will of her individuality. Sexier than a Hollywood A-Lister, her entire being enchants and beguiles, I am besotted.    

The link below takes you to a complete recording of Josie's previous Edinburgh show. Romance and Adventure: 2012.





Live Performance Review: Mark Thomas: Cuckooed (Edinburgh Festival Fringe 2014) Saturday 02.08.2014 20:30 Traverse Theatre, Traverse One (Unreserved Seating), Edinburgh

Another year, another Mark Thomas show (He is one of few people I consider to be a hero of mine). This one focused upon upon the Campaign Against The Arms Trade, of which Mark has been involved for many years, who some time back became aware that they had been infiltrated by a spy, who Mark had previously thought to be a close friend. It is strongly suspected that the spy was working for B.A.E. Systems, the U.K.s largest weapons manufacturer. 

The show was very engaging and focused upon betrayal and the resultant need Mark had to do a 'revenge fuck', meaning that he took actions that lead to the shutting down of several of the U.K.s weapons manufacturers. Bravo! Towards the end, Mark allowed the focus to widen to consider spying in general and incidents such as the family of Stephen Lawrence being spied upon. 

I don't consider this to be quite up there with his best work, that has to be performances such as 'Coca-Cola', 'Extreme Rambling' and 'Bravo Figaro!', though it is a return to performing with a single focus which I feel his performances benefit from. 

I suspect that part of the reasoning for it not being quite up with the best of his work, is that I have heard him cover some of the same details of his activities with the 'Campaign Against...' previously throughout the vast amount of M.T. Product that I have consumed (I still have more than 24 Hours of his programmes from Chanel 4 on video, all of which I have watched several times). So in that sense this was not entirely fresh material for me and if memory serves correctly that is a first in terms of seeing Mark Live. 

To consider the show, without regarding how I relate to it due to my eighteen year devotion to the master, it is hard not to concede that this is another show of the highest caliber from a passionate and committed performer who continues to be at the top of his game and the comedy tree. I find it hard to imagine it possible that there could be another 'comedy' show in the 'Edinburgh Festivals' this year that would top this. If you have not seen Mark before this is good entrance level stuff. The devotion continues...

Rating: 10/10.